So, Looper arrived in SA with a time delay of about 4 months. Time travel, it seems, is not an exact science and it took distributors a while to send this picture through time to Africa. Luckily the film makes up for the wait and shows that while inexact, time travel can still be freakin cool if done right.
Looper opens in Kansas 2044 and a summary, no-apologies gunshot to the chest. This film doesn’t faff around and gets straight into it. And for the first act it’s wonderful to watch as director Rian Johnson mixes exposition in a fascinating future world with arresting cruelty and style. It really has a marvelous rhythm and is huge fun.
We have looper by profession, Joe, holding our hand and guiding us through this universe with a noirish sensibility. So Johnson first did high-school noir, and now follows it up with future-noir. The man likes it dark. Joe is played by Joseph Gordon-Levitt, who teams up again with pal Johnson and does a very good job in one of the four big top movies he had out this year. He’s basically playing Bruce Willis here, as the two actors play the same character at different stages in time, and it’s great to see how JGL embodies the action veteran. His make-up for the part is awesome too and a true accomplishment by the make-up artists.
“I made a nose piece, an upper lip and lower lip, a vacuum foam plastic piece to pull back Joe’s (Gordon-Levitt’s) ears, a small hairpiece on the eyebrows to change Joe’s eyebrows and contact lenses to change Joe’s eye color,” artist Kazu Tsuji told MTV.com. That’s a lot of work, right, and unusual. Most people would’ve just said they are the same person and that’s all there is to it, okay? Gawd!
Anyway, I won’t explain all the minutiae of the central conceit here, it’s more fun learning as you go along. But what it comes down to is that young Joe has to kill his older self from the future, who’s conveniently sent back to him by his own employers (sort of, I think). But future-Joe, that’s Bruce (try to keep up), is wise to what’s coming and manages to escape.
It’s at this point that, unfortunately the movie slowly starts losing me. For a short while longer it’s fun and exhibits some sweet humour too. And then it falls apart. And it’s not Emily Blunt’s fault for once. I actually liked her tough girl on the range. It’s her kid that stretches suspension of disbelief to its limits. In an acknowledging nod to the great Terminator 2 (Blunt’s character is even called Sarah), we again have a child whose life is in danger from someone sent back from the future due to what he may do in his assailant’s time. It’s a little silly at this point, and the kid is also too intelligent and intolerably cutesy for my taste, clashing with the tone of the movie. It’s not just the little twerp, though, as the earlier balanced touch in action scenes is dispensed with in favour of a crude, heavy-handed shoot-em-up. Meh.
By the end I’ve kinda stopped caring all that much. And thank goodness, because the ending doesn’t really make that much sense to me. You can mind-fuck me all you want, but I’m not gonna fake an orgasm just because you think you’re being confusing and that’s enough. Plus, if they are saying what I think they’re saying, it ultimately turns into Back to the Future but crossing over into the dark side… hmmm. No thanks. (Actually, come to think of it, they’re not saying what I thought they were saying… but the implication is there, the implication dammit…)