A highly subjective list, but let’s go…
Road to Perdition (2002)
A moody, brooding mobster movie trying really hard to find something worthy of salvation in its characters. It’s a beautiful look at the 30’s period and father and son relationships, with gorgeous cinematography too.
Gangs of New York (2002)
Marty Scorsese’s epic history lesson. I don’t even know how accurate it is, but it’s a gripping look at the cinematic staple that is New York while the Civil War is going on in the background. And it has one of the best Daniel Day-Lewis performances as Bill the Butcher.
A beautiful depiction of two wandering, weary souls finding each other, doubly disorienting because of the warped Tokyo setting. It’s an unlikely pairing of Bill Murray and Scarlett Johansson that works out perfectly.
No Country for Old Men (2007)
This movie! Once the credits start rolling, you’re glued to your seat, stunned. Not quite sure what just happened. It has one of the best villains in Anton Chigurh played by Javier Bardem. It’s total nihilism with the only decent guy to hold on to, with a faltering grip, being Tommy Lee Jones’ Ed Tom Bell. Brilliant in its hopelessness.
The Hurt Locker (2008)
A great take on the war movie. Jeremy Renner’s Sergeant James isn’t fighting anyone’s war and the movie doesn’t advocate one way or the other. It’s all about the danger rush and it’s one hell of a thrill-ride. Plus, y’know, Kathryn Bigelow.
(500) Days of Summer (2009)
I doubt you’ll find this one in many top 10 lists. But it’s a great story of unrequited love told in the most original, creative and fun way in a while. It’s also a loud critique on romantic comedies and their delusions.
Funny People (2009)
One of the best comedies to come out in years! It’s genuinely funny, but finds its comedy in really dark and honest subject matter. Oh and it humanises Adam Sandler in a poignant look at life, wasted opportunities and the inability to change.
Inglourious Basterds (2009)
Rollicking. But really stylish and clever. It quite literally changed history.
Monumental entertainment. Forget Batman, this is Nolan’s best movie. It’s one of those movies that started with a mysterious viral campaign and rode the hype-wave all the way to the bank, deservingly so. Its pure escapism embodies what cinema is all about.
Never Let Me Go (2010)
A stunning allegory about the meaning of life. And pretty much in the end it tells us it means nothing. Getting there is heart-wrenching and oddly life-affirming. Garfield, Mulligan and Knightley will melt your heart in an undercover sci-fi that moves me like no other.
WHAT DID I MISS?